Welcome to Subject Object and the latest chapter of Bramble Lee Pryde, in a journey that's been anything but ordinary.

Growing up and experiencing adulthood in the radical cultural renaissance of the ‘90s and early ‘00s, Bramble Lee Pryde found themselves in an era marked by profound shifts in consciousness and a collective disillusionment compared to previous generations. Pop culture was redefining itself and its representations: movies began telling stories in radically new ways. Music was undergoing transformative shifts; the ultimate expression of identity was encapsulated in the creation of the mixtape*. Their deep connection to music ultimately became an integral part of their artistic practice—they leverage the use of experimental music to highlight the strangeness of their work, and these modern mixtapes are used to encourage and evoke emotional connection. Bramble thrived in this transformational environment, experiencing the height of counterculture meets pop culture by working at the GAP during the iconic Reality Bites era, experiencing the new scene of underground warehouse parties, and later working within many roles at MAC Cosmetics at the peak of its cult fandom. These experiences cemented their value of the unconventional.

Bramble’s creative identity is rooted in revolution and reinvention.    

Bramble’s experiences are vast and varied but have always been grounded in fine art. After studying Fine Arts at UBCO and receiving a diploma in Design and Formation from Langara College, they travelled extensively. After their studies, Bramble’s curiosity was piqued and wanted to further expand their horizons. They travelled through many countries in Asia and Oceania whose peoples’ rich cultures and history captured their fascination of the significance of adornment and keepsakes, realizing their power in storytelling and emotional connection. Upon arriving in Western Australia, Bramble decided to channel this fascination with and connection to adornment by enrolling in a formal metalsmithing program at TAFE, integrating this new skillset into an already diverse artistic repertoire.

 

Bramble’s path into jewelry was not a departure from their identity as an interdisciplinary artist but rather an extension of it. Their work continued to explore themes of identity, culture, and emotional depth across various mediums. A pivotal moment in Bramble's career came when they made the bold decision to leave an executive role in the corporate world to pursue art and jewelry full-time in Western Canada. This leap of faith led to the creation of a jewelry business that gradually expanded to include pottery. The business then continued to grow, incorporating custom nail polish and textiles, becoming a multidisciplinary hub of creativity. This growth culminated in the opening of White Rabbit, a space that was half-studio, and half-shop, supporting over 50 artists during its four-year run. This revolutionary concept and model founded in accessibility garnered them many accolades from the art community and challenged the ways in which clients and customers experienced fine art.

However, Bramble's journey has not been without its challenges. They experienced immense grief with the sudden and unexpected loss of both their mother and brother within a few years of one another. These personal tragedies, coupled with their advocacy for their own mental health, led to diagnoses of C-PTSD and ADHD. This journey spurred Bramble to become a vocal advocate for mental health and addiction, encouraging open dialogue and destigmatization. This time also inspired their philanthropic pursuit in response to their brother’s death through the co-creation of a six-week workshop called Street to Studio that provided cost- and barrier-free access to street artists to work with mentors, new mediums, and tools and techniques, to ultimately create a body of work that was then shown at Contemporary Calgary. This program was funded by donations to the Lefty Legacy Fund. The chaotic state of the world, paired with personal loss, shaped Bramble’s dark humor and sardonic, surreal approach to jewelry and art. It became vital for Bramble to create work that speaks to the intensity of our times in a way that is both digestible and accessible, creating and holding space for the outliers.

The next iteration of Bramble’s work is Subject Object. It emerged from Bramble’s desire to create jewelry that transcends mere adornment. As a queer, gender non-conforming artist, Bramble’s personal identity influences their fluid approach to design, questioning boundaries and style conventions while celebrating individuality. Each piece is a statement, a reflection of the wearer’s unique story. The brand is committed to high craftsmanship and ethical sourcing, ensuring every piece is meticulously crafted and sustainably produced. With core values of originality, constant growth, boldness, and a commitment to “questioning the quo,” Subject Object aims to provide the fine jewelry industry with alternatives for the alternatives.

Much like the artist behind the work, the journey of Subject Object has seen multiple iterations, from its beginnings as Wolf + Sadie, to its rebranding as LE LOU ULA, and finally, its emergence as Subject Object. Each distinct brand and moniker are an evolution of Bramble’s identity, design age and stage, and chapters of their creative life. These chapters and brands have been featured in the television series Pretty Little Liars (Seasons 5 – 7), Refinery29, CBC Life, PAPER Magazine, FASHION Magazine, Trendhunter, and Bramble has authored articles for MAKERS Magazine and Art Zealous. They have shown their work in major cities across Canada, collaborated with Glenbow Museum and received the distinguished honour of 2020 Artist of the Year by Maison Simons/Fabrique 1840. Most recently, they participated in an artist residency at the Berlin Art Institute in 2023.

Looking ahead, Bramble is excited to debut Subject Object’s fine jewelry collection, Existential Adornment. Inspired by their gallery show, "I’m Fine, It’s Fine...Art," this collection delves into themes of personal and collective existentialism, resilience, and the surreal nature of contemporary life. Each piece in the collection serves as a wearable testament to these concepts, pushing the boundaries of traditional jewelry and offering new ways for individuals to express their unique identities through wearable art. This year also includes an installation at Contemporary Calgary for LOOK: Dada Ball, a solo gallery show called I’m Fine It’s Fine Art at the Underground Gallery, participating in NYC Jewelry Week, a month-long jewelry residency with a collective of jewelers, and several trunk show debuts in different markets across Canada. They have also been selected to participate in a six-month mentorship with The Loupe Project. The Project offers designers access to well-established designers, business owners, and seasoned industry professionals to explore, design, and launch a collection or line, and then develop marketing strategies and finance upskilling to coincide with its sustained success.

 

In every piece and every collection, Bramble Lee Pryde and Subject Object continue to challenge conventions, creating a legacy of art that is as deeply personal as it is collectively resonant.

 

*And the mixtape? They live on in every playlist that Bramble creates for every custom creation, studio session, collection and exhibition.